Original New Youth New Youth Non-fiction Writing Market is included in the topic # # Light and Shadow Puzzle 2# New Youth 44# Non-fiction Writing 46# College Students 37
This article is the course assignment of "Film and Television Culture and Criticism" of School of Journalism and Communication, Peking University in 2019, and won the excellent work award of "Light and Shadow Puzzle 2019 New Youth Non-fiction Writing Market".
Author | Zhang Yunling Lan Wenhao Tan Ting Sun Shuo
Instructor | Zhang Huiyu
Charlotte, a traveler in goodbye mr. loser, made a fool of herself at the age of 30 by relying on her wife for a soft meal. She was caught pretending to be a big spender at the wedding of Qiu Ya, her crush as a student.
Wang Duoyu, the goalkeeper in "The Richest Man in Xihong City", is full of football dreams but hangs out in the third-class amateur team. He was expelled from the team because of the defeat of the game and fell into a desperate situation.
Zhang Chi, a racing driver in "Flying Life", once dominated the racing world, but was banned for five years for illegal racing. He had to rely on fried rice to support himself and his son. In his late forties, he was eager to return to the racing field, but he was frequently hit in the face by reality.
Dafei, a liquor seller in Crazy Alien, is a liquor seller who has not won the agency. He is bent on making a fortune, but even has to steal money from his brother Geng Hao’s purse when he is poor.
Down and out, frustrated, arrogant and self-abased, which can be said to be the standard of all movie protagonists starring Shen Teng, but Shen Teng’s initial life orientation is actually not such a middle-aged diaosi.




01
It makes people laugh and cry.
Atypical "Military Art School Grass"
On October 16th, 1979, Shen Teng was born in a well-off family in Qiqihar, Heilongjiang. His parents named him Teng, which originally had the meaning of "soaring". But when I was a child, Shen Teng seemed to have nothing to do with "soaring" except noisy.
Naughty and loquacious, with poor grades, when high school is about to graduate, Shen Teng has no clear direction for his future life: "I am a person with no ambition, and I don’t expect to be as successful as my name.".
Applying for military arts comes more from family factors. Shen Teng’s elder sister is a soprano from a military background. In her opinion, since my younger brother has no plans for the future, it is better to apply for military arts like himself, and at least be a soldier in any case.
So, with the simple idea of mixing an "iron rice bowl", Shen Teng was admitted to the military art in a muddle.
"I was a school grass in military art, and later I was Yang Yang."
The self-mockery in this interview successfully sent Shen Teng to the hot search, and many people even regarded this interview video as a funny clip of the year. Whether there is the title of "school grass" is impossible to verify, but judging from the photos and interview videos of Shen Teng in his early years that can be found at present, Shen Teng was indeed a "beautiful teenager" when he was young. And Shen Teng is indeed a man of the hour in the military arts.

During the period of military art, Shen Teng appeared on the cover of Life of the People’s Liberation Army magazine.
Military art turned on Shen Teng’s performance switch. In the performance class, Shen Teng, who was first exposed to the stage and whose acting skills were still immature, performed the work "Ten-year-old Me", which was praised by the teacher unexpectedly. After this performance, Shen Teng was elected as the representative of the performance class. This modest official suppressed Shen Teng’s impetuousness, and also inspired him to learn how to perform well. Being fun by nature, he began to practice diligently. Shen Teng’s almost innate talent for comedy gradually emerged in college. Later, as soon as he stood on the stage, his classmates began to laugh, often making the audience laugh their heads off. Everyone seemed to equate Shen Teng with humor.
Teacher Liu Na took the lead in expressing the affirmation of Shen Teng’s comedy talent: "You don’t need to cultivate your comedy things for four years in college. You have enough comedy talent, but you have to play tricks to understand it. If you just play comedy, the road will be a bit narrow. " This sentence has a great influence on Shen Teng. After many years, Shen Teng insisted on comedy, but at the same time, he never relaxed his training of lines and performances, and constantly put forward new requirements for himself to broaden his play style.
The lines teacher also suggested to Shen Teng, who speaks fluent Northeast dialect: "If you can refuse Northeast dialect, you can speak Mandarin well, and you will develop in the future. You see that the teacher is also from the northeast. " I didn’t know that Shen Teng was outspoken. "Teacher, I heard it." The teacher didn’t expect him to be so straightforward, almost humiliating on the spot, and laughed and laughed at the student who brought his own jokes when he spoke.
Four years of military art career, theoretical study and skill training have given Shen Teng rich comedy materials, consolidated his comedy skills and laid a solid foundation for his future creation and performance.
02
Mahua FunAge:
Accumulated wealth and thin hair after common troubles
In 2003, Shen Teng graduated from the Department of Military Arts Performance. Surprisingly, when the students were busy with the cast and signing the company, Shen Teng, the former representative of the performance class, chose to join a little-known drama club-Mahua FunAge.
Today, Mahua FunAge is already the most market-oriented private organization in the field of stage play in China, but when Shen Teng joined, Mahua FunAge was just a small drama club with only more than 10 cast members.
I’ll Twist You If I Want to Eat Twist is Shen Teng’s first stage play in Mahua FunAge. Shen Teng played a slightly greasy ceremony host in the play. Dressed in a jumpsuit studded with sequins, he stood in front of the standing wheat in the center of the stage and interacted with the audience with exaggerated body movements and a very performative tone, as if they were really the audience who came to attend the ceremony. Close-up, Shen Teng unconsciously sipped his lips, micro-locked his brow, and cocked his head to the big star played by He Jiong, but he didn’t dare to show it again.
"I’ll give you a twist if I want to eat a twist" received a good response, which also laid the foundation for Mahua FunAge’s "grounded comedy" style in the future. But the opposite of good reputation is the poor performance of profitability. Because the stage play belongs to minority art, with low popularity and high cost, Mahua FunAge has been in a bleak business situation for a long time. Many times, a performance has only a few dozen spectators. In the most deserted performance, there were only seven spectators sitting under the stage in the huge theater. The theater manager couldn’t stand it anymore. "Why don’t you stop acting and refund the tickets to these audiences, and I won’t charge you rent." So, on that snowy winter night in Beijing, several Mahua FunAge leaders stood at the entrance of the theater to refund tickets to the audience one by one, and subsidized the travel expenses.

Poster of "I want to eat twist for you now"
An initial performing arts team often requires its members to be multi-skilled, and then establish their respective positions through years of tempering, which is also used to withstand the turmoil brought about by the coming and going of members. It is in this turmoil that Shen Teng changed from an actor to a screenwriter and director and returned to an actor. In the days when there were few people, he stayed up all night writing, writing at night and sleeping during the day, which made him suffer from severe osteoporosis. Even doctors were curious: "What does this big boy do? He can’t even see the sun every day." Even so, Shen Teng still has no choice to leave. "I am optimistic about Mahua FunAge and have feelings with team members. It is impossible to abandon them when they are in trouble."
From the age of 22 to 34, Shen Teng spent nine years in obscurity in Mahua FunAge before boarding the Spring Festival Gala. On the stage that has been cold for many years, Shen Teng silently polished his acting skills, diluted the excess desire and thirst for fame and fortune a little bit, and waited for the accumulation.
In 2009, the stage play Somali Pirates, which was officially directed by Shen Teng for the first time, won a good box office, and Mahua FunAge made a profit for the first time, and the company began to run on the right track. In 2010, Shen Teng starred in Mahua FunAge’s New Year’s Eve stage play Earl of Wulong Mountain as the leading actor for the first time. Mahua FunAge’s reputation is getting louder and louder, with a certain number of regular audiences. Everything began to develop in a good direction, and both Shen Teng and Mahua FunAge were waiting to shine more brilliantly on a bigger stage.

Shen Teng’s first stage play Somali Pirates.

Shen Teng starred in Mahua FunAge’s play The Count of Monte Cristo.
03
From the New Star of the Spring Festival Evening to the Happy Comedian;
Don’t want to just be "Hao Jian"
The Spring Festival Gala in the Year of the Loong in 2012 has a turning point in many aspects.
That year, the general director of the Spring Festival Gala changed. Ha Wen took the banner from Chen Linchun, Liu Gang and Ma Dong, and became the general director of the Spring Festival Gala for the first time.
It was also that year that Zhao Benshan, an evergreen tree in the Spring Festival Evening, disappeared into the rehearsal hall of the Spring Festival Evening after boarding CCTV Spring Festival Evening for 17 consecutive years. "No Benshan, no Spring Festival Evening", Uncle Benshan’s weight in previous Spring Festival Evening stages is beyond doubt. Whether it is the tacit cooperation with the "Iron Triangle" or the "White Clouds and Black Soil" couple in Song Dandan, it is a classic of the times that is difficult to reproduce. With the rural economic system reform and urbanization as the background, Uncle Benshan, with his unique life experience rooted in the fields and the humor and wit of folk art, has been recognized as a national comedy image for many years.
However, the torrent of the times is pushing forward with people’s constant refreshing of comedy aesthetics. After 2010, with the deepening of reform and opening up and the development of market-oriented operation mode, the audience market of sketches has also changed with the changes of audience’s aesthetic preferences. For a new generation of audiences, Uncle Benshan’s image as a simple and honest grass-roots farmer who tries to integrate into the modern trend is no longer their existing experience. On the other hand, the excessive use of northern dialects in Benshan sketches has also made some southern audiences "unable to eat" and even triggered a dispute about the use of dialects in the Spring Festival Evening. The "black soil", which has been active for more than ten years in the Spring Festival Evening, gradually seems a bit vague and boring.
It is the Mahua FunAge team represented by Shen Teng who "took over" Uncle Benshan at this time node.
Mahua FunAge’s sketch for this year’s Spring Festival Gala is called Happiness Today. As a pillar of Mahua FunAge, Shen Teng plays the role of pretending to be Hao Jian, the "son" who came back from the future to visit his parents. That year’s Spring Festival Gala, when Shen Teng poked his head out from the fake TV set with a full face of surprise and stretched out a hand to say hello while enthusiastically shouting "Dad", the applause thundered under the stage.

Shen Teng plays "son" Hao Jian in the essay "Happiness Today".
This sketch made Mahua FunAge’s team gain a firm foothold in the Spring Festival Evening stage, and the role of "Hao Jian" played by Shen Teng became a household name overnight.
Urbanized stage art, more acceptable pronunciation of Putonghua, and the characterization of various diseases of contemporary young people all make Mahua FunAge a "dark horse" in the history of Spring Festival Evening sketches. The following year, Mahua FunAge made persistent efforts to return with Happiness Today 2. Hao Jian has also returned. That year, Shen Teng leaned against the window and said awkwardly and naughtily, "It’s not innocence that defeated you, it’s no shoes (evil)", which became a classic bridge in the Spring Festival Evening. The voice of Uncle Benshan’s comeback in the Spring Festival Evening has gradually been drowned out in the comments and spit on the Spring Festival Evening in the new year.
People’s favorite literary and artistic works will have more opportunities to be displayed. From 2012 to 2015, as the core role of Mahua FunAge’s sketches, Shen Teng has been on the stage of the Spring Festival Evening for four consecutive years, and performed the image of "Hao Jian", a middle-aged "nobody", which brought joy to the audience, but also made many people find their own shadow in it more or less, and became another distinctive identity symbol after Peisi Chen’s reform youth and Zhao Benshan’s migrant farmers.

Stills of "Today’s Happiness 2"
"Hao Jian" has become the second identity of Shen Teng, and many people even know only "Hao Jian" but don’t know Shen Teng. Although it is often new, it is actually an embarrassing experience for Shen Teng. "Hao Jian has made me, but I am really not satisfied with expressing a Hao Jian all the time. I also want to express different lives and experience the fate of different characters."
In order to break the role label of "Hao Jian" and try more diverse comedy performances, in 2015, Shen Teng took part in the variety "Happy Comedian" with his team.
At this time, Mahua FunAge has become a comedy team of its own in China, with a small number of fans, and the attendance rate of stage plays is much higher than that of similar domestic drama clubs, and sometimes even a ticket is hard to find. Coupled with several years’ performance experience in Spring Festival Evening skits, compared with other groups, Shen Teng’s Mahua FunAge team has an incomparable sense of advanced satire in comedy performance.
"The essence of comedy is satire and criticism, not pure comedy." This is Shen Teng’s own interpretation of comedy.
In the semi-final, Shen Teng team chose to pay tribute to the comedian Chaplin with his work Where is the Thief. In order to enhance the expressive force, on the eve of the competition, Shen Teng urged all the people to delete all the lines and let them rehearse in the form of mime overnight. In a crowded carriage, each character was portrayed by pure body movements and expressions.
Shen Teng played Chaplin himself. Through the eyes, expressions and movements, in the short play of less than ten minutes, Shen Teng showed every psychological detail of Chaplin vividly. At the end, "Chaplin", misunderstood by the audience, sat in front of the window, his hands clasped helplessly and his chin stood on tiptoe. The sadness and injury revealed in his unfocused eyes deeply shocked the hearts of the audience and the judges present.

Shen Teng pays tribute to Chaplin with Where the Thief Goes.
Shen Teng won.
In July, 2015, Shen Teng led Mahua FunAge to win the annual championship of the first season of Happy Comedy, defeating the Liaoning Folk Art Troupe and the Jia Ling team led by Song Xiaobao. At this time, Shen Teng is no longer a dramatist who can only perform stage plays, but a highly plastic comedian who is meticulous in the script, has leadership for the team, and has his own thinking and understanding of comedy.
04
"New king of comedy"?
It was also in this year that the film goodbye mr. loser changed Shen Teng’s life again.
"goodbye mr. loser" is a daydream about a middle-aged diaosi who has accomplished nothing, crossing the past and achieving an ideal self completely different from reality. And Shen Teng is the key factor to test the water for Mahua FunAge to enter the film market.
Few people are optimistic about this lightweight film. However, it is this comedy film with a cost of only 20 million yuan. In 2015, it gained 1.44 billion yuan at the box office as a dark horse, ranking sixth at the box office of the year and third at the box office of domestic films. Shen Teng, 36, has become a rising star in the mainland comedy film Ran Ran.
But people didn’t wait for Shen Teng to explode. In the following three years, Shen Teng often appeared as a supporting role in Mahua FunAge’s films, like Zhang cornus, the deputy director who fell from the sky in Shame Iron Fist, adding a few Shen Teng-style humor to the film in several frames. However, in the past three years, he has never received any film first hero. He is unwilling to make do with the quality of the script and the role.

Shen Teng’s Stills in The Iron Fist of Shame
"As an actor, I think I can’t consume myself, I can’t consume this Hao Jian or Charlotte I am carrying, and I can’t consume my career."
Shen Teng waited for the role he wanted.
In the summer of 2016, "The Richest Man in Xihong City" was released. After three years of disobedience, Shen Teng officially returned to the film market with the role of Wang Duoyu.
My career is low, I’m down and out, I’m exhausted, and I’m a little shameless. Wang Duoyu, the goalkeeper in "The Richest Man in Xihong City", has many similarities with the role that Shen Teng is always good at shaping. Knowing that he can’t win and can’t keep the goal, he is not willing to accept the money for playing fake ball; Knowing that the other person looks down on himself from the bottom of his heart, he has to crush the other person with money in a competitive way, maintaining his final dignity and posture as a "local tyrant".
Shen Teng’s portrayal of Wang Duoyu’s role highlights the psychological struggle of the little people in him between dreams and reality, who are unwilling to show weakness but are extremely struggling. For example, when he saw 1 billion yuan, he sat down on the pulley chair with a dull face and couldn’t get up any more. For example, he used a tractor to pour money into the training ground of the football team that had fired him. For example, after learning that he had earned another 100 million yuan, he couldn’t help but fight hard. Shen Tengfu’s layered performance reflected his deep understanding of the inner feelings of this role and made the film show its meaning other than funny.

Wang Duoyu’s legs are weak after seeing 1 billion cash.
Wang Duoyu’s experience is another daydream story full of fairy tales. His body carries the most popular fantasies and exposes the deep irony of reality. And this kind of superficial confusion and sober collision behind it is the sharpest irony of money and reality in The Richest Man in Xihong City.
At the end of the film, Wang Duoyu in Xia Zhu’s fantasy is a knight who wears a robe of "thousands of dollars" and carries heavy money bags in his hands, and appears at the stairs of a building like a doomsday hero, personally breaking the fairy tale and saving the princess. The reality, however, is that Shen Teng is wearing that familiar yellow tracksuit, with messy hair and closed eyes. He is sitting on the steps and swearing with a runny nose and tears, crying his wrinkles together. But it is this disillusionment that makes the audience more realistic with a knowing smile.
This is a kind of comedy image that Shen Teng is good at creating. Whether it’s Charlotte, Wang Duoyu, Zhang Chi or Dafei, these little people are in their own difficult situation, timid, timid, arrogant and self-abased, but they are daydreaming, and there are precious qualities of justice, kindness and purity in them. They suffered the ups and downs of their lives when they were down and out, and lost their inner persistence at some moments in the process, but they always found this almost idealistic persistence at the last minute. The collision between idealism and reality is the starting point and the end result of Shen Teng-style comedy films.

The ending of The Richest Man in Xihong City

The movie role played by Shen Teng.
In 2019, Shen Teng’s Flying Life and Crazy Alien collided head-on with Stephen Chow’s New king of comedy. For a time, "Will Shen Teng surpass Stephen Chow" has become a hot topic in the streets.
In 1990s, Stephen Chow established his own unique comedy style of "Star Master" by virtue of his unique nonsense style, and was the king of box office with high spirits. It was an unrepeatable peak era that belonged exclusively to Stephen Chow.
But today, faced with the capital that has expanded countless times, more diverse media, complicated comedy genres and even "sharp" audiences with better tastes, Star Master’s nonsense comedies are no longer popular, and more people just take "The Mermaid" and "New king of comedy" as a tribute. Comparatively speaking, Shen Teng, which has successfully entered the box office of 12 billion with Flying Life and Crazy Alien, seems to be becoming the "king of comedy" of the new era.
Tang Ling, a famous film critic, said: "The core similarity of actors of this level is that not only their own acting skills should reach a high standard, but also they can reflect the national spirit in a period of time. The reason why their comedies make us laugh is because they are a reflection of the overall psychological state of society at that time."
Shen Teng grasped the needs of the audience, tried to dramatize those little people with typical faces in today’s society into their own representative roles, and successfully performed "base comedies" with the brand of the times. Self-mockery is not self-dwarfing, self-belittling, but maintaining dignity, laughing and cursing at the same time retaining a deep feeling style. Behind the seemingly absurd comedy, Shen Teng has an almost serious persistence in comedy. He wants the audience to see the irony under the absurdity of comedy and arouse their thinking and resonance through their own performances. These efforts have made more and more people agree with Shen Teng, a new generation of national comedian.
05
The national comedian has become a traffic bear.
In addition to movies and dramas, in recent years, Uncle Shen, who is "growing up with jokes", is more active in variety shows.
Actors are easily forgotten by the market if they don’t appear in public. After waiting for a suitable screenplay for three years, Shen Teng began to participate in various variety shows one after another for the sake of maintaining exposure and other considerations. From "Teng Mei" who was named as "the lazy king" in Let’s Cross, to Uncle Teng who expressed his deep affection for his wife in "The Son-in-law Comes to the Door", and then to the captain whose IQ often drops off in "Ace to Ace", Shen Teng is a funny person in many variety shows with the help of "funny skills like mudslides" and "walking funny machines". Today, whether as a resident guest or a flying guest, Shen Teng’s appearance can always become a hot search explosion point maker and a guarantee of ratings.
However, Shen Teng in the variety show did not find consistent happiness. In his view, frequent participation in variety shows is more like a kind of involuntary. "Acting in variety shows is much more tiring than performing on the stage, and countless shots just stare at you and laugh." Variety shows amplify Shen Teng’s innate sense of humor, as well as every detail except his jokes. We should always pay attention to the audience’s expectations, always remind ourselves that we are the people who grow up at the punchline and bear the aura that others have never had. Shen Teng must be careful in every step.
"It’s not as fun as it used to be."
This is Shen Teng’s evaluation of his development in recent years. In the past, he was "no one knew you, just an actor, and it was enough to perform his tricks in a down-to-earth way", but the reality pushed Shen Teng forward, and Shen Teng had a few more concerns in the public eye. "It is no longer a simple transmission of happiness, but a very competitive thing." He needs to participate in variety shows to improve his exposure, and he needs to be active in front of the screen to show himself. The entertainment market has attracted him a lot of attention, put more labels on his back, and created a funny role as Uncle Shen with a lens of national concern, which is mixed with reality and people.
In addition to frequently participating in variety shows, another big problem that puzzles Shen Teng is that he began to frequently board hot searches in Weibo.
On May 20, Shen Teng once again rushed to the hot search. This time, it’s only two days since the hot search topic of "Shen Teng’s colorful words were forgotten" was last "Shen Teng’s photo expression", but as of May 25th, the reading volume of this topic has reached 190 million.

Shen Teng’s Baidu search index is comparable to a certain traffic Hua Dan.
In fact, as early as the beginning of this year, Shen Teng’s name would appear on the hot search list every now and then, from "before Shen Teng was the school grass" to "Shen Teng was dissatisfied with the 21st most handsome man in Asia", and this "Uncle Treasure", which was called "the man with a funny face", suddenly reached the popularity of being comparable to some traffic stars. The national comedian "who grows on the punch line" has become not only the box office, but also the "traffic responsibility". In this era when Weibo’s hot search can be updated in 1 minute, Shen Teng doesn’t have to wait for the blockbuster on New Year’s Eve every year, nor does he have to wait for the comments after the movie is sold. He just needs to show his "meanness" in front of the camera as much as possible, show something different from others, and even send a Weibo, and millions of Weibo fans will help him return to the center of public vision.
The source of these heat is not mysterious. After all, the two films starring Shen Teng in this year’s Lunar New Year movie performed well, and Shen Teng’s own factors that can trigger the hot search explosion point, such as his appearance, his wrinkles, his family, his fans, and Shen Teng’s motionless in 2019, can all become hot topics. Nowadays, "fear of hot search in Shen Teng" has become the common aspiration of many fans in Shen Teng. Today’s Shen Teng has been unable to control the frequency of hot search.

Hot search related to Shen Teng
Getting Shen Teng to search online is also an important part of online marketing of movies and variety shows. "Maybe it needs hype, but it is too frequent after all" is a netizen’s evaluation of this phenomenon. It’s unknown whether there is a team behind the marketing or a meticulous "killing", but at least for the moment, Shen Teng has become a "favorite" comedy star, and at the same time, it has caused controversy whether he can be a "comedian".
Shen Teng once said that his happiest thing was "when Mahua FunAge was still wandering around in East Cotton Hutong and several places in Heping, a group of young people with no distractions drank wine and drank a string of words, thinking about their baggage day and night", but now, in the market, marketing and traffic, Shen Teng has made his own comedy signboard, which has won a huge number of fans and inexhaustible heat, but those who have no hot search.
In the new market environment, the entertainment circle needs marketing. The moment Shen Teng stepped off the stage of drama and walked into the TV screen, he was doomed to make waves in the torrent of this market. In this era of traffic first, Shen Teng could not pull away from it, nor could he change it. He could only try his best to keep his original heart in the face of impetuousness and nothingness, and keep his inner persistence and love.
But Shen Teng is lucky. He was born in an era suitable for filmmakers, especially comedy filmmakers. In a sense, this "man with a laugh" is a comedy hero shaped by the times. We don’t know whether Shen Teng will become the new "king of comedy" in the future, but it is undeniable that as a comedian and comedian, Shen Teng has won his time. Walking on the road of becoming a "national comedian", Shen Teng is leaving his mark in this era.

reference data
[1] beijing business today: "Shen Teng, king of comedy? 》
[2] Doing business: "Shen Teng smiles 12 billion"
[3] People: "Shen Teng: Laziness is my protective color"
[4] National Pavilion: "Shen Teng: Laziness is an innate strength".
[5] Talk about resources: "Shen Teng is the funniest if he doesn’t laugh."
[6] Iris: "Peisi Chen, Zhao Benshan, Shen Teng, who is the king of Spring Festival Evening sketches?"
[7] Iris: "The era of comedy movies in Shen Teng has just started."
[8] Once a day: "Shen Teng, how long will you stay on my punch line? [9] Prairie Girl: Shen Teng: All my ambitions are used for fun.
[10] Kapok micro-publication: "Shen Teng: Sometimes a fool, sometimes a genius."
[11] The Paper: "Shen Teng: not talking is also a kind of rest."
[12] Wu Tongyu. Shen Teng’s "Buddhist" life [J]. Labor and social security world.
[13] Xu Hailong. From "peasant sketch" to "citizen sketch"-CCTV Spring Festival Evening audience’s acceptance and sublation of Zhao Benshan sketch [J]. Media Watch, 2016(03):16-18.12
[14] Ji Li, Wu Yiyou. Accent discrimination and cultural discipline of social groups-A case study of accents in 30 years of Spring Festival Evening sketches [J]. Modern Communication (Journal of Communication University of China), 2015,37(07):81-85+146.
[15] Tang Dynasty. Analysis of Mahua FunAge’s comedy film creation mode-taking "The Richest Man in Xihong City" as an example [J]. Film Literature, 2018,713(20):103-105.
Original title: "Light and Shadow Puzzle, Shen Teng: National Joker in New Market"
Read the original text